Step inside Lars’s classic Oslo flat from the early 1900s, where the warmth comes from Norwegian design, and even more from the people around the table.

Fredrik Andreas Kayser: A renowned name within the Norwegian design heritage, where his work is often described as timeless though still rooted in the mid-century design movement. The definition of a classic.

We visited the home of his daughter, Eva Hildrum, to have a conversation about her father, and a peak into her home of carefully selected Kayser furniture.

A couple of decades before the first Eikund designs came to life, Norrøna had already started on their quest: to make outdoor gear the last thing you thought about when you were outside – because it would just work.

Their search for quality and craftsmanship has made them into a brand, that almost 100 years later, is one of the best in the world.

– I don’t necessarily have a distinct style, at least that’s not how I choose objects. I just find something that speaks to me, and then I try to make them work together in our home, whether it be art or furniture. [Julian]

Are we starting to change the narrative around Norwegian design – in Norway?

For decades, Norwegian design has often played a surprisingly small role in shaping our shared public spaces. Despite a rich design heritage, many of these environments have been defined by international choices – sometimes by habit, sometimes by default.